Genre Wars

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If ONLY they were anything like this exciting…

Good round-up of the latest literary spat by Lincoln Michel on Electric Lit here

I think he’s right. Fantasy and speculative elements are increasingly appearing in ‘literary’ fiction and being shortlisted for major prizes. Unsurprisingly when you consider that evoked human suffering, lyrical descriptions of trees, war, machines, vampires, zombies and ninjas all originate from the same place–the human brain.

Despite the recent segmentation of the growing children’s and YA market, it remains the one place where genres mix, mingle and party with little or no genre snobbery.

Because children, unlike literary critics know this.

Ask a kid to write a story and in that one story there will be a lonely alien, a friendly elephant, a kid biking to school and 5000 yellow-eyed penguins performing a haka

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Seriously. Try it and see.

This genre-defying craziness is a wondrous thing and one that that draws many outwardly sane people to write for children.

I was reminded of this by this wonderful Toast discussion on Madeline L’Engle’s A Wind in the Door. Loved it as a child. Reread it as an adult-weirdest book EVER.

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I’m pleased that genre wars in the grown-up book world are negotiating a fragile truce. They could really learn a thing or two from the kids.

About Gita Ralleigh

Gita Ralleigh is a writer, poet and doctor born to Indian immigrant parents in London. Her work has been published by Wasafiri, Bellevue Literary Review, Magma Poetry and The Rialto among others. Her chapbooks are A Terrible Thing, (Bad Betty Press, 2020) and Siren, (Broken Sleep Books 2022). She holds an MA in Creative Writing, an MSc in Medical Humanities and is a lecturer in Creative Writing for undergraduates at Imperial College, London. You can find her as @storyvilled on twitter.
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